Farrow & Ball Paint - Colours P to Y
Paean Black No. 294A chic red based black This Georgian inspired red based black creates an intimate feel in super contemporary or bohemian homes, while adding a distinguished look to traditional exteriors. The perfect accent for all our reds and completing our range of blacks, Paean Black conjures up the shade of old leather hymnals and so is named after a song of praise. Recommended Primer & Undercoat: Dark Tones Complementary white: Joa's White |
Pale Hound No. 71Delicately aged yellow This pale and aged yellow is a lighter version of an archived Farrow & Ball colour, Hound Lemon. Named by the great colourist John Fowler, the story behind its namesake remains a mystery! Pale Hound sits particularly well in sunny spaces where it reads as a light and delicate yellow, and in garden rooms where its underlying green pigment connects seamlessly with the exterior. Recommended Primer & Undercoat: Mid Tones Complementary white: Wimborne White |
Pale Powder No. 204A gentle aqua Our most popular shade of aqua is a lighter version of an archived Farrow & Ball colour, Powder Blue. Pale Powder has an unparalleled softness and in north facing rooms can read almost as a delicate grey, but it is rarely cold due to the addition of green pigment. It is a great favourite for use in pretty attic bedrooms where it can be brushed onto both ceiling and walls to create an airy feeling of light and space. Recommended Primer & Undercoat: White & Light Tones Complementary white: Pointing
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Parma Gray No. 27A cool mid blue Reading as a cool blue, Parma Gray is another colour attributed to the great colourist John Fowler. Used as the backdrop to numerous costume dramas, it creates the perfect period feel when contrasted with Wimborne White. Though its cool nature can feel quite formal when contrasted with a bright white, it is a firm favourite for those who prefer a clean and crisp finish. Recommended Primer & Undercoat: Mid Tones Complementary white: Wimborne White |
Pavilion Blue No. 252A delicate green blue This fresh green blue is inspired by the wonderful Regency colours of the Royal Pavilion in Brighton, although a little lighter in tone. When teamed with All White it creates a clean and delicate finish, without feeling too cool, making it a brilliant choice for bathrooms. Pavilion Blue can also be used on woodwork with stronger tones such as Green Blue. Recommended Primer & Undercoat: White & Light Tones Complementary white: All White |
Pavilion Gray No. 242A cool mid grey This classic mid grey was originally created for a bespoke pavilion, but is also reminiscent of an elegant 18th century Swedish colour. One of the Architectural Neutrals, the subtle blue undertones of Pavilion Gray add a contemporary touch and sense of spaciousness. Combine with Dimpse, Blackened or Manor House Gray in any combination for a scheme that is perfect for the modern family home. Recommended Primer & Undercoat: Mid Tones Complementary white: Blackened
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Peignoir No. 286A romantic grey pink This grey pink has a romantic feel inspired by the chiffon gowns in which ladies traditionally brushed their hair. Created by giving the softest of pinks a big dose of grey, Peignoir has a unique depth which brings walls to life. It works perfectly in homes both old and new with any of our Contemporary Neutrals, or with Brassica and Pelt. Recommended Primer & Undercoat: Mid Tones Complementary white: Wimborne White |
Pelt No. 254A deliciously deep purple This deep and luxurious purple has a regal feel and derives its name from untreated animal hides. Much bluer in feel than the similarly strong Brinjal, Pelt can appear almost black in darker spaces and is particularly sensational in Full Gloss. Pair with Brassica to create a dark and moody scheme or soften with the feminine shades of Middleton Pink and Great White. Recommended Primer & Undercoat: Dark Tones Complementary white: Great White |
Picture Gallery Red No. 42A rich brown based red This timeless red is based on the rich colour of the magnificent gallery at Attingham Park. A generous helping of brown pigment deepens Picture Gallery Red, bringing a unique warmth and character. As its name suggests, this ruddy hue creates a striking backdrop for works of art, be they hand drawn in crayon or expertly painted in oil. Recommended Primer & Undercoat: Red & Warm Tones Complementary white: Joa's White
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Pigeon No. 25A strong blue grey This cosy and nostalgic blue grey is named after the colour of the bird often sighted around the London landscape. Softer and bluer than more contemporary grey shades like Mole's Breath, Pigeon is particularly suited for use in boot rooms, cloakrooms or darker spaces like studies and panelled rooms. It is also incredibly popular on kitchen islands with the more delicate Dimpse on units. Recommended Primer & Undercoat: Mid Tones Complementary white: Shaded White |
Pink Ground No. 202A dusty blush pink This dusty pink started out as a delicate wallpaper background which was often requested as a paint colour. Pink Ground, with its large dose of yellow pigment, now creates the softest blush of colour for a warm and soothing finish that doesn’t feel sugary. Rather than contrasting with a bright white, try pairing with the warmer shade of Great White on the woodwork for a unique look in your home. Recommended Primer & Undercoat: White & Light Tones Complementary white: Tallow
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Pitch Black No. 256A true black Pitch Black is as pure a black as you can get and is strong and uncomplicated in all lights. Named after the dark sticky residue of coal tar often used in roofing, this true black has an unsurpassable depth and almost velvet quality. As with All White at the other end of our colour palette, it is easy to understand and indispensable for ironwork, woodwork or even walls if you are feeling daring! Recommended Primer & Undercoat: Dark Tones Complementary white: Shadow White
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Pitch Blue No. 220A lively cobalt blue This strong cobalt blue, with its dose of black pigment, takes its name from the dark sticky tar often used in roofing. Pitch Blue has an almost purple feel to it and is extremely lively in south facing rooms, especially when contrasted with bright shades such as All White. However, it looks more sober and rich when used in areas deprived of light or those lit in the evening by candles. Recommended Primer & Undercoat: Dark Tones Complementary white: Blackened |
Plummett No. 272A lighter lead This strong architectural grey is named after the lead often used by fishermen to weight their lines. Plummett intensifies in colour in smaller spaces and has a strikingly modern feel which is conducive to minimal living. Used as much on woodwork to define dramatic spaces as it is on walls, Plummett is one of our most hard-edged and industrial feeling greys. Recommended Primer & Undercoat: Dark Tones Complementary white: Ammonite |
Pointing No. 2003A warm and delicate white This fresh and uncomplicated white is named after the colour of lime pointing used in traditional brickwork. One of our Red Based Neutrals, Pointing has a warm undertone to it which creates the prettiest of spaces when used on walls and always softens the feel of a room alongside strong, traditional colours. Recommended Primer & Undercoat: White & Light Tones Complementary white: Wimborne White |
Preference Red No. 297A deep, rich red
Recommended Primer & Undercoat: Red & Warm Tones Complementary white: Bone |
Purbeck Stone No. 275An understated stone grey Purbeck Stone is a clean and understated mid grey that resembles the colour of stone found on the Isle of Purbeck, close to our home here in Dorset. Purbeck Stone is the strongest of our Easy Neutrals, sitting contentedly as part of a calming scheme with Cornforth White, Wevet and Ammonite in homes both old and new. Recommended Primer & Undercoat: Mid Tones Complementary white: Wevet |
Radicchio No. 96A modern crimson This bright and modern red takes its name from the distinctive crimson leaves of Italian chicory. Although tempered with magenta, Radicchio contains less blue pigment than Eating Room Red so is brighter and more contemporary in feel. It confidently fills a room with energy without having the brashness of a true, clean red. Recommended Primer & Undercoat: Red & Warm Tones Complementary white: Joa's White
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Railings No. 31A soft black with blue undertones More blue than black, Railings is a softer alternative to black which is particularly suited to the ironwork it takes its name from. When used in Full Gloss on front doors it creates a handsome and commanding entrance, but becomes much more relaxed in feel in our Estate Eggshell finish. The bluer undertones of this dark hue transform rooms into dramatic and enveloping interior spaces. Recommended Primer & Undercoat: Dark Tones Complementary white: Ammonite
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Rangwali No. 296An exotic and adventurous pink
Recommended Primer & Undercoat: Red & Warm Tones Complementary white: All White |
Rectory Red No. 217An exotic and adventurous pink
Recommended Primer & Undercoat: Red & Warm Tones Complementary white: All White |
Red Earth No. 64A warm terracotta red This light terracotta hue takes its name from the very soil beneath our feet. Red Earth is a rich blend of red and yellow pigments which create a warm earthy feel in homes both old and new. Often best used in smaller spaces, this warm colour responds extraordinarily to the changes of light throughout the day, becoming deeper and cosier as the sun drops. Recommended Primer & Undercoat: Red & Warm Tones Complementary white: Dimity
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Salon Drab No. 290A deep chocolate brown This warm drab has a two-part name combining ‘salon’, the small outer room off a drawing room, with a term that describes a colour as lacking in brightness. The richness of this chocolate brown is instantly appealing, effortlessly creating a modern look or classic 19th century feel. Salon Drab works as a dark accompaniment to both the Red Based and Contemporary Neutrals. Recommended Primer & Undercoat: Dark Tones Complementary white: Dimity
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Savage Ground No. 213A strong neutral stone This yellow based stone hue was first created as a background colour for our wallpapers but was quickly added to our paint collection by popular request. Named after Dennis Savage, a block printer who was instrumental in the creation of our very first wallpaper designs, this warm and timeless neutral sits beautifully on both clapboard and panelling. Recommended Primer & Undercoat: Mid Tones Complementary white: New White
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School House White No. 291A soft off white This is the lightest colour in the group including Shadow White, Shaded White and Drop Cloth - each created to look like white when used in deep shade. Pared back, timeless and familiar without the cool undertones of the more contemporary neutral groups, this soft off white is reminiscent of the colour used in old school houses. Recommended Primer & Undercoat: White & Light Tones Complementary white: Wimborne White
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Setting Plaster No. 231A dusty plaster pink This dusty pink is named after the blushing walls we often admire in newly plastered houses. It is definitely a pink in historic terms, but has a certain softness to it due to the inclusion of yellow pigment. Our timeless Setting Plaster creates a wonderful backdrop to antique furniture, and also works incredibly well when paired with Mahogany in a more contemporary home. Recommended Primer & Undercoat: White & Light Tones Complementary white: Tallow |
Shadow White No. 282Soft white with a hint of grey Shadow White takes its name from the soft tone created when whites are used in shaded areas, bringing out the slightest hint of grey. For devotees of lighter neutrals on both walls and woodwork, this versatile and understated colour works brilliantly in any style of home. It has none of the perceived yellow of Slipper Satin and is the perfect contrast to the slightly darker Shaded White. Recommended Primer & Undercoat: White & Light Tones Complementary white: Wimborne White
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Shadow White No. 282A light grey beige Neither too warm nor too cool, this neutral takes its name from the soft tone created when many of our whites are used in deep shade. Shaded White has a gentle greyness, but with none of the cooler tones of Cornforth White, making it incredibly versatile within homes both old and new. It is often used alongside lighter shades such as Pointing or Slipper Satin for a restful space, or paired with Drop Cloth for a wonderfully relaxed feel. Recommended Primer & Undercoat: Mid Tones Complementary white: Shadow White |
Skimming Stone No. 241A warm light grey This stony off white takes its name from a 19th century skim, or plaster colour, but often reminds us of childhood afternoons skimming stones. With its warm light grey undertones, Skimming Stone is extremely versatile and particularly suited to soothing bedroom schemes. One of our Contemporary Neutrals, it sits with the lighter Strong White and darker Elephant's Breath for a clean and contemporary look, but can also be used in a darker statement scheme alongside Pelt or London Clay. Recommended Primer & Undercoat: White & Light Tones Complementary white: Strong White
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Skylight No. 205A pale and traditional blue This pale blue grey takes its name from the soft natural light that often pours through ceiling skylights. However, it is less reflective than Borrowed Light, reading as a definite cool blue when used in small spaces but becoming paler and greyer when used in larger areas. Recommended Primer & Undercoat: White & Light Tones Complementary white: All White |
Slipper Satin No. 2004A chalky off white This popular off white takes its name from the delicate colour of silk used in traditional ballet slippers. Without cool blue undertones, Slipper Satin often reads as a pale grey chalk which makes for a perfect neutral on walls with darker Old White woodwork. Pair with other shades from our Traditional Neutrals for a subtle and sophisticated scheme. Recommended Primer & Undercoat: White & Light Tones Complementary white: Pointing
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St. Giles Blue No. 280A vivid blue This clean and vivid blue is inspired by a colour originally found in the hall at 17th century St Giles House in Wimborne St Giles, Dorset. Its striking blue hue cannot fail to make you smile and will hold its own even in the darkest of places, so is often used as an accent in the back of bookshelves. Recommended Primer & Undercoat: Mid Tones Complementary white: All White |
Stiffkey Blue No. 281An inky navy This inky blue is named after the Norfolk beach where the mud, along with the cockles, share a particular deep navy hue. Although traditional in feel, Stiffkey Blue is often used as an alternative to Down Pipe to create a richly dramatic space with a more contemporary finish. When used in well lit areas of the home it will appear much bluer, working wonderfully when contrasted with Ammonite. Recommended Primer & Undercoat: Dark Tones Complementary white: Shadow White |
Stone Blue No. 86A lively blue This warm and timeless blue is named after the indigo pigment which was often imported in lumps in the 18th century. Stone Blue’s lively and saturated colour can be used alongside warmer tones such as Pelt to create an inviting vintage look, or the cooler Mole's Breath for a cleaner, more contemporary feel. When contrasted with Dimpse woodwork, however, it feels both distinguished and familiar. Recommended Primer & Undercoat: Mid Tones Complementary white: Strong White
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Stony Ground No. 211A classic stone This strong neutral is one of our most popular wallpaper background colours, so we couldn’t resist adding it to our collection of richly pigmented paints. A classic stone colour, Stony Ground has a slight underlying red which adds warmth and creates a soft beige finish. It pairs incredibly well with the lighter Shaded White or stronger Mouse’s Back for a quietly cohesive scheme. Recommended Primer & Undercoat: Mid Tones Complementary white: Slipper Satin
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String No. 8An earthy yellow based neutral This Yellow Based Neutral is reminiscent of the untreated twine used by gardeners and parcel senders worldwide. String’s underlying green adds a pale and earthy feel which works particularly well in rooms connected to the outside, such as conservatories and boot rooms. For a relaxed and effortless scheme, contrast with the very slightly lighter Matchstick. Recommended Primer & Undercoat: Mid Tones Complementary white: White Tie |
Strong White No. 2001A grey based white This cool white is both strong by name and strong by nature. One of our Contemporary Neutrals, the subtle urban feel of its light grey undertones add a contemporary twist to period homes, while staying in keeping with modern properties. Pair with Skimming Stone, Elephant’s Breath and All White in any combination for an effortlessly cohesive scheme. Recommended Primer & Undercoat: White & Light Tones Complementary white: All White |
Studio Green No. 93A deep, dark green Our darkest green is also the colour painted on the original studio at Farrow & Ball, where many of our very first colours were created. When brushed onto exterior surfaces, the rich pigments respond extraordinarily to all types of light and magically appear much greener than on our colour card. Within the home, this deep hue appears almost black unless in very well lit rooms. Recommended Primer & Undercoat: Dark Tones Complementary white: Lime White |
Sudbury Yellow No. 51A traditional mid yellow This soft mid yellow takes its name from the staircase at Sudbury Hall, where renowned colourist John Fowler used this shade to such great effect. Sudbury Yellow is particularly responsive to changes in light, reading as cleaner and brighter in well lit rooms or softening in dimly lit spaces alongside a stronger contrast like New White. Recommended Primer & Undercoat: Mid Tones Complementary white: New White |
Sulking Room Pink No. 295A romantic and muted rose
Recommended Primer & Undercoat: Mid Tones Complementary white: Great White
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Tallow No. 203A light cream This illuminating neutral takes its name from the natural material originally used to make candles. Tallow’s pale cream finish reflects the light brilliantly so it is perfect if you want to lift a darker space or paint one colour throughout a property. The slightest hint of pink and yellow pigment creates a warm but fresh feel which is often very popular in nurseries. Recommended Primer & Undercoat: White & Light Tones Complementary white: Pointing |
Tanner's Brown No. 255A strong dark brown Our darkest drab is named after the craftsmen who tan the hides and skins used to create leather. Tanner's Brown will read as almost black in lower lighting and is extremely useful to create a slightly softer look when used on the interior of fireplaces. It does, however, become browner in colour within well lit homes and exteriors due to its warm red undertones. Recommended Primer & Undercoat: Dark Tones Complementary white: Joa's White |
Teresa's Green No. 236A fresh aqua tone This mid aqua is named after a much valued, early member of our creative team - and yes, the pun is intended! Teresa's Green owes its freshness to a rich blue base and its warmth to soft green undertones. In the middle of our range of aquas, Teresa’s Green has a calming and therapeutic effect, but still feels cheerful when combined with delicate shades like White Tie. Recommended Primer & Undercoat: Mid Tones Complementary white: Slipper Satin
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Treron No. 292A dark grey green This enduring colour is a dark green version of Farrow & Ball classic Pigeon, hence being named after the green variety of the same species. Although traditional in feel, Treron is perfect for modern homes where lots of natural materials are used or as an accent for both French Gray and our Traditional Neutrals. Recommended Primer & Undercoat: Mid Tones Complementary white: Off-White |
Vardo No. 288A rich teal This rich teal takes its name from highly decorated traditional horse drawn Romany wagons. Often used in the intricate patterning of these beautifully painted homes, Vardo is so full of life and joy it seemed natural to name it after something renowned for its flamboyant colour. This bright colour works particularly well with reds or dark greys. Recommended Primer & Undercoat: Dark Tones Complementary white: Shaded White
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Vert de Terre No. 234A delicate aged green This fresh and incredibly soft green is reminiscent of the pigment green earth. With its blue undertone it creates the softest of atmospheres, being less intense and cooler than Cooking Apple Green but fresher and less grey than Ball Green. Recommended Primer & Undercoat: Mid Tones Complementary white: Slipper Satin |
Wevet No. 273A delicate white with a hint of grey This delicate white has a barely there and almost translucent feel to it, and so shares its name with the old Dorset term for a spider’s web. One of our Easy Neutrals, Wevet is clean, understated and incredibly easy to live with. With its hint of grey, this hushed tone can be used as a wall colour for a neutral contemporary space or on ceilings and woodwork when combined with cooler greys. Recommended Primer & Undercoat: White & Light Tones Complementary white: All White
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White Tie No. 2002A pale creamy white Our prettiest white is named after the old, pre-brightened, starched cotton used for white tie jackets. One of our Yellow Based Neutrals, White Tie brings a gentle warmth to any room and is deepened with a touch of black pigment. Combine with Matchstick, String and New White for a delicate scheme with reassuringly creamy undertones. Recommended Primer & Undercoat: White & Light Tones Complementary white: Wimborne White |
Wimborne White No. 239Just off white This just off white is named after the market town of Wimborne in Dorset and home to Farrow & Ball. Only a shade away from a pure white, the addition of the smallest amount of warm yellow pigment creates a very versatile shade which is just a little softer than All White. Recommended Primer & Undercoat: White & Light Tones Complementary white: All White |
Worsted No. 284A rich grey This rich mid grey conjures memories of city suits made from flat woven fabric, so was named after the Norfolk village where the yarn was originally woven. For devotees of our Easy Neutrals, Worsted is stronger in tone than its counterpart Purbeck Stone, but lighter than Mole’s Breath. It has an understated richness with no cold tones, making it the perfect background to make clean accent colours pop. Recommended Primer & Undercoat: Mid Tones Complementary white: Shadow White |
Yeabridge Green No. 287A bright avocado green This fresh avocado green was discovered in an 18th century Georgian farmhouse in Yeabridge, Somerset, when the original gun cupboard was removed. Although untouched for many years, it was still astonishingly bright and reminiscent of the lush grass that surrounds the house. This uncomplicated, clean green sits happily in both contemporary settings and period homes. It has a little more yellow than Breakfast Room Green but a little less than Churlish Green. Pair with Hague Blue to create a truly uplifting interior. Recommended Primer & Undercoat: Mid Tones Complementary white: James White |
Yellow Ground No. 218A timeless mid yellow One of our most useable yellows, this sunny shade was first used as a background colour within our ever evolving wallpaper collection. Yellow Ground sits between the fresher pigments of Citron and the richer mustard tone of Sudbury Yellow. It creates a happy and stimulating space in any light without being overpowering in colour. Recommended Primer & Undercoat: White & Light Tones Complementary white: White Tie |